The three holes on the top limit viewers’ ability to view the full installation inside. This alludes to the level of difficulty when we try to observe the “entire picture” of an event. The fact that the artwork has a low placement during the critique resembles the inevitable effort one has to spend to try to observe the full image of an event. The darkness inside means that viewers have to use their own tools to find out what’s inside, just like when we try to understand an issue in our own ways. The uniform color of different materials I’ve chosen offers viewers the maximum ability to “color the work” in their minds, representing due to “the danger of the single story,” we have very different images in our minds about an issue. The mirror inside reflects the imagery of viewers, symboling the subjectivity of views: when one tries to interpret an issue, they always bring their opinions, stance, and prejudice into the issue, which prevents them from making a balanced judgment — they see some aspects of themselves in their understandings.